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- <text id=93TT2556>
- <title>
- Jan. 03, 1994: The Best Movies Of 1993
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Jan. 03, 1994 Men of The Year:The Peacemakers
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE BEST OF 1993, Page 70
- The Best Movies Of 1993
- </hdr>
- <body>
- <p> 1
- </p>
- <p> The Age of Innocence. Movies, and movie critics, so regularly
- champion the audacious, the reckless, the most, that an achievement
- like Martin Scorsese's with this impeccable adaptation of an
- Edith Wharton novel may be overlooked. The plot brings together
- a gentle man (Daniel Day-Lewis) and a worldly woman (Michelle
- Pfeiffer). But the true subject is reticence, its charms and
- perils--the mannerly, orderly life that most of us try to
- live. Tiptoeing through the plush parlors of old Manhattan,
- the film finds ecstasy in the kissing of a lady's wrist, and
- heartbreak in a sigh. This, then, is Scorsese at his most daring:
- he has composed a tragic opera, sung in whispers.
- </p>
- <p> 2
- </p>
- <p> Schindler's List
- </p>
- <p> An unlikely, enigmatic hero--a playboy industrialist--rescues
- 1,100 Polish Jews from the Holocaust. In retelling this true
- story, Steven Spielberg's austere but monumental film re-creates,
- with chilling immediacy, a central horror of 20th century life
- and death. Epic cinema, tragic drama, it is also an act of remembrance
- and conscience that ultimately transcends the ordinary critical
- categories.
- </p>
- <p> 3
- </p>
- <p> Leolo
- </p>
- <p> Little boy lost: French-Canadian writer-director Jean-Claude
- Lauzon takes this familiar theme and replaces its sentimentality
- with luscious surrealism. No family could be more horrifying
- than little Leo's, no boy more frantic to find refuge in fantasy,
- no movie bolder in fashioning domestic tragedy into art.
- </p>
- <p> 4
- </p>
- <p> In the Name of the Father
- </p>
- <p> Daniel Day-Lewis is brilliant as Gerry Conlon, the Belfast lad
- falsely accused of I.R.A. terrorism and imprisoned with his
- long-suffering da. Jim Sheridan's movie is informed by an angry
- passion for justice, by a splendid ensemble of actors and by
- some of the year's most skillfully kinetic filmmaking.
- </p>
- <p> 5
- </p>
- <p> Farewell My Concubine
- </p>
- <p> To make this show-biz epic, director Chen Kaige may have risked
- his professional life. The Chinese authorities first banned
- the film, then allowed its release after deleting scenes that
- depicted Maoist torture and pigheadedness. But this half-century
- panorama of the Peking Opera is at heart a swirling entertainment--outsize emotions drawn on a vast, colorful canvas--with
- a seductive, star-is-born turn by Hong Kong actor Leslie Cheung.
- </p>
- <p> 6
- </p>
- <p> The Snapper
- </p>
- <p> A fractious Dublin family faces an awkward fact: the eldest
- daughter is soon to give birth to an illegitimate baby. This
- crowded, wayward, funny film, written by Roddy Doyle and directed
- by Stephen Frears, is a hymn to family values without any of
- the usual piety. It gives Colm Meaney, as the emotionally hard-pressed
- father, the role of a lifetime.
- </p>
- <p> 7
- </p>
- <p> Tim Burton's the Nightmare Before Christmas
- </p>
- <p> Every Burton film is Halloween scary and candy-cane sweet. So
- it's appropriate that the fevered imagineer (Beetlejuice, the
- Batman films, Edward Scissorhands) dreamed up this stop-motion
- fable about a Halloween ghoul who wants to play Santa Claus.
- Directed by Henry Selick, Nightmare is Disney's weirdest cartoon
- ever: chilly, rollicking, endlessly inventive. And it's animated
- by Danny Elfman's magical-spookical score. Is this the first
- Hollywood musical to set every one of its 10 songs in a minor
- key?
- </p>
- <p> 8
- </p>
- <p> King of the Hill
- </p>
- <p> In Depression-era St. Louis, a 12-year-old (played with wary,
- wily reserve by Jesse Bradford) mobilizes both imagination and
- practicality to survive on his own after his family breaks up.
- Director Steven Soderbergh takes a strong-minded look at a hard-luck
- life.
- </p>
- <p> 9
- </p>
- <p> Like Water for Chocolate
- </p>
- <p> Home cooking is the sorcery of the oppressed. In this sprawling
- banquet of a romantic Mexican melodrama, forbidden love finds
- the recipe for fulfillment--even if it takes a lifetime and
- beyond. Screenwriter-novelist Laura Esquivel and her husband,
- director Alfonso Arau, capture a savory passion that comes straight
- from the hearth.
- </p>
- <p> 10
- </p>
- <p> Shadowlands
- </p>
- <p> The oddest of couples--an emotionally choked Oxford don and
- a high-spirited American poet--find a transforming moment
- of happiness as they confront her imminent demise. Richard Attenborough's
- film gains strength from the sterling performances of Anthony
- Hopkins and Debra Winger as the live-and-learn lovers.
- </p>
- <p> ...And the Worst
- </p>
- <p> Grisham's Law
- </p>
- <p> It should be a snap to adapt a John Grisham thriller. Read the
- novel, compress the exciting first half, rewrite the rest, keep
- it moving. Well, the films of The Firm and The Pelican Brief
- maunder and mope as if Grisham were Graham Greene. Not that
- it makes any difference. The Firm was 1993's third biggest grosser;
- Pelican is a cool Christmas hit.
- </p>
-
- </body>
- </article>
- </text>
-
-